• A short note on what excites you about Oatsu, and why you’d be a great fit for this role?

  I’m excited about Oatsu because it’s a true challenger brand—and a smart one. The product offering and brand positioning stand out in a market where time and convenience matter most.

  As the business scales and prepares for future funding, it feels well stewarded under your leadership, Lauren. The balance sheet looks healthy, and the recent move to onboard a new manufacturing

  partner shows that scalability is already being thoughtfully addressed.

  I’d be a great fit for this role because I bring broad, hands-on experience across marketing, retail, content creation, customer service, and business operations. I’m comfortable rolling up my sleeves

  and getting things done, especially in fast-growing environments. At this stage of the journey, I am a 'T-shaped' creative, offering both broad operational knowledge and deep content expertise. believe a versatile,

  multi-disciplinary approach is more valuable at this stage of the company.

  Your day rate (or hourly rate)

  £275 (Open to negotiation.)

• Your availability (this role is typically 1 day per week, sometimes 2)

  I am available to start immediately and happy to travel as needed.

• Links to social media accounts you’ve managed (with dates)

  I haven’t exclusively managed social media accounts end-to-end, but I’ve contributed as part of cross-functional teams across multiple brands. My involvement has included content planning and execution, scheduling

  via tools such as Buffer, and performance tracking using Google Analytics and Meta Business Suite. Through this exposure, I’ve developed a strong understanding of the tools, processes, and requirements needed to

  manage and grow social media channels successfully.

• Links to short-form video content examples you’ve filmed and edited

• An overview of your experience with:

   (i) content creation,

  My experience in content creation began with my studies in Film Production, which provided a strong foundation in visual storytelling. This has since evolved into creating content for both web and outdoor

  use, tailored to client and commercial needs. Over the years, I’ve worked both in-house and as a freelancer with a range of notable organisations, including Chatham House, John Lewis, and major events such as London Fashion Week,

  as well as corporate clients like Marriott Harrison and public-sector institutions such as Preston Council.

• In the food sector, my most recent project was with Crosta Mollica—another challenger brand in the frozen goods category—where I supported content aligned with brand positioning and growth objectives. I’m comfortable

  managing the full production lifecycle; ideation and production through to post-production and distribution, and creating content that meets today’s business demands—from short-form reels and interviews to advertising-led creative.

  (ii) video editing – including editing software used,

  My primary editing platform is DaVinci Resolve, which I rely on for its seamless, all-in-one creative workflow. Adobe Creative Cloud sits alongside it as a core part of my toolkit, particularly Lightroom, Photoshop,

  After Effects and Premiere Pro. For fast, social-first edits on the go, I use CapCut and Adobe Rush on mobile, working primarily within macOS environments.

  On the audio side, I work with Fairlight inside DaVinci Resolve and Adobe Audition to shape clean, engaging sound. I also use AI tools such as ElevenLabs where appropriate to enhance efficiency and support creative experimentation.

  (iii) email marketing

  My experience with email marketing was developed in-house at Skiddle, where email was a core B2C growth channel for ticket sales and live events. I designed and built campaign emails using HTML, working closely with

  marketing teams to align messaging, visuals, and calls-to-action with wider campaign objectives. While examples from this period remain proprietary, the role gave me a strong practical understanding of email marketing as a

  performance-driven channel supporting customer acquisition, retention, and engagement within multi-channel campaigns.

• Where you're based, and confirmation that you’re able to work in person at WeWork Canary Wharf

  Croydon, London. 

Your Kit:

For filming, I regularly use a Google Pixel 9 Pro for mobile-first content, alongside a full-frame mirrorless camera system scalable to full production workflows, including Blackmagic RAW when required.

My kit includes a range of professional lenses, high-speed SSD storage for reliable on-set capture, and a MacBook Pro M3 Pro for editing and data management. For audio, I use DJI Mic 2 wireless systems,

supplemented by several shotgun microphones and monitoring headphones. I also carry a selection of portable LED lighting, including RGB and bi-colour fixtures ranging from pocket-sized practical lights to units

suitable for short-form and narrative production.

Optional (but encouraged)

Please click here to view an example of an email we could send out.

• A short intro video explaining who you are and why you’d be a great fit